Творчість Тараса Федюка: жанрово-тематичні та стильові особливості. - 2013.

Abstract

У роботі здійснено комплексний і системний аналіз лірики Т. Федюка. Це перше цілісне дослідження поетичної спадщини митця. Робота репрезентує творчість митця як органічне поєднання різночасових культурних пластів, джерела яких – у фольклорі, міфології та сучасних поету реаліях життя, які втілюються в індивідуальну змістову субстанцію метафори. Результати дослідження стильової й жанрової палітри Т. Федюка представлені в дисертації як оновлення ліричного жанрового канону й утворення власної жанрово- стильової парадигми, що виявилась у поезіях-діалогах медитативного наповнення й своєрідних поетичних міні-новелах. У дисертації простежено еволюцію тем, ідей, образів, жанрових і стильових особливостей лірики Т. Федюка, яка, як доводиться в роботі. В работе осуществлен комплексный и системный анализ творчества украинского писателя Т. Федюка. Это первое целостное исследование его лирики. Работа представляет творчество поэта как органическое сочетание разновременных культурных пластов, источники которых – в фольклоре, мифологии и современных поэту реалиях жизни, воплощающиеся в индивидуальную смысловую субстанцию метафоры. Результаты исследования стилевой и жанровой палитры Т. А. Федюка представлены в диссертации как обновление художником лирического жанрового канона и образование собственной жанрово-стилевой парадигмы, воплощенной в стихи-диалоги медитативного наполнения и своеобразные поэтические мини-новеллы. В диссертации прослеживается эволюция тем, идей, образов, жанровых и стилевых особенностей его лирики, которая, как доказывается в работе, является одним из значимых фактов украинской поэзии на рубеже ΧΧ–ΧΧΙ веков. Comprehensive and systematic analysis of the works of the Ukrainian writer T. O. Fedyuk has been done in this dissertation. This is the first holistic research of poetic heritage of this artist. For the first time, the poetic heritage of the Ukrainian poet of late XX- early XXI is holistically and multifold considered in this dissertation. In the light of the unified systemic approach, his lyrics are analyzed at various levels such as problemic-topical, figurative, motivic, compositional, genre and style. It is emphasized on the originality of worldview of the writer; the ways of formation of the artistic world picture are traced. The thesis represents the art of the poet as an organic unit of culture layers of different times that originated from folklore, mythology and from the realities of contemporary life, which are embodied in the individual meaningful substance. The temporal-spatial organization of Fedyuk’s poetry is paid special attention. The mentioned concepts of time and space in Fedyuk’s poetry, which are essential components in the poet’s modeling of the individual art eternity, are interrelated and interdependent. The main aspects of philosophical artistic embodiment of existential motives and images such as loneliness, estrangement, absurdity of existence, death, life, hopelessness, despair and silence are explored here. The artist’s ironic lyrics are underlined, being manifested through acuteness, jocosity, and well-chosen lexical ways, intertextual penetration as well. During the research, it was found out that one of the brightest and poetic of Fedyuk’s images is an image of a creative individual personality. The author discloses the image of an artist through the personal prism of artistic worldview; it can be found in abstracting from reality, going outside of it, in retrospection to the past, in solitude, in internal struggle, in contemplation and in introspection. It has been explored that a separate layer of Fedyuk’s lyrics consists of his poems autobiographism; it’s a peculiar thematic and stylistic vector, it is manifested in self-reflection, nostalgia and in retrospection to the past. Fedyuk’s intimate lyrics are given much attention. It was proven that the author’s intimate lyrics functions in the individualized art space, where a lyric subject of the intimate poetry goes through evolution from erotic romantic world perception, the poet’s early works are characterized with it, to fully renewed perception of love in deeply philosophical direction. The results of the research of stylistic and genre Fedyuk’s palette is represented in the dissertation as the poet’s renewal of the lyric genre canon and formation of his own genre stylistic paradigm, which found in the poems-dialogues filled with meditation and in the peculiar poetic mini novels. Evidently, T. Fedyuk is referred to such writers, who being based themselves upon the samples of classic heritage, comprehend the world and human existence in it in the new way. The evolution of topics, ideas, images and genre and stylistic peculiarities of his lyrics are observed in the dissertation. As it is proved in the work, his lyrics are the one of significant vectors in the development of the Ukrainian poetry of XX-XXI-st century border. The dissertator considers that the dominance of individual style of T. Fedyuk; among that metaphoric and associative thinking should be marked, due to a special art world of the poet being constructed, where individual meditation over eternal ontological problems becomes actual, the conciseness of the lyric hero appeals to the search of the answers to the everlasting questions. The completed work allows one to state that the way of worldview and perception of the world of T. Fedyuk, XX, promoted the development of new aesthetics in Ukrainian poetry; it is aimed at reproduction and reinterpretation of national traditions by the means of new postmodern forms.